(La Rochelle, France, 1975)
Lives and works in Paris. Recent solo exhibitions include Interpretation, Kunsthalle Basel, Basel; Antiteater, FRAC Champagne Ardennes, Reims (both 2010); Power Structures, Rituals & Sexuality of the European Shorthand-Typists, Mary Mary, Glasgow; Black Mariah, Centre d’art Parc Saint-Leger, Pouges les Eaux (all 2009); IAO Explorations in French psychedelia 1968, CAPC Musée d’art contemporain, Bordeaux; LOVE = U.F.O, Lili Reynaud-Dewar, FRAC, Bordeaux; and The Race, Galleria Civica d’Arte Contemporanea di Siracusa, Montevergini, Sicily (all 2008). Recent group exhibitions include Scene Shifts, Bonniers Konsthall / The Royal Dramatic Theater, Stockholm (2010); Elles@centrepompidou, Centre Pompidou, Paris; Je n’étais pas qu’une simple chimère, SBC gallery, Montréal; Kerhaus-Abschied von Stabilen Wanden, Westfalische Kunstverein, Munster; Revolver, Coco Kunstverein, Vienna (all 2009); 5th Berlin Biennale, Berlin (2008); and Freak Show, Museum of Contemporary Art, Lyon (2007). Reynaud-Dewar studied Ballet at the Conservatoire National des Arts et Métiers de La Rochelle and Public Law at the University of Paris 1 Panthéon Sorbonne, where she received her masters in 1997. She then received a Masters degree in Fine Art from the Glasgow School of Art in 2003.
Participated in: What if all myths were true… – Liu Kang Act IX of Witte de With’s year long Morality program, Let Us Compare Mythologies, is a three-day cycle of staged events presenting international artists exploring the nature of the performance. Based on …Read more
Group ExhibitionThe End of Money is a group exhibition about time and value. Bringing together works by a host of international artists, this exhibition and its parallel publication reflect upon the fears, hopes, and expectations associated with the end of money and its ominous consequence: the dissolution of an absolute standard of value.Read more