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Melik Ohanian, HIT, 1998
Hit1998 In the work of Melik Ohanian, the world is not presented as a stage for human activity and definitely not as a fixed, organized and hierarchical entity, but rather as an evolving cosmos, dynamic and full of life. Video as a medium offers the space to articulate and make tangible the connections between time, language and movement. In Hit, an empty television studio is observed, while the set still has to be tested.
